His new ORDER series explores expressions of “order” as image, concept, construct, and language – and the organization and potential ambiguity of information, communication, and language within complex and concurrent data systems.
Each drawing begins with an Internet search of the word “order.” Hundreds of images, interpretations, demonstrations, and associations are generated by each search, arranged in a hierarchy of relevance determined by the search engine. Each search becomes increasingly customized to the searcher, often branching off into intricate or obscure expressions of the word, its multiple meanings, or practice (specific arrangement, sequence, command, rank, importance, by discipline.) Each drawing is a selection and orchestration of these hierarchies of order systems and applications, filtered through the artist’s response to the information collected in each search. The process also engages the artist’s own creative compulsion to organize and compose images. The first element of each drawing is deliberately placed at random, initiating a process of response, modification, and overlay. New imagery/data is added in a sequential chain, and in response to the placement of each previous element. Each drawing is rotated as new imagery and information is considered and assigned to the developing space; with its final viewing orientation established as the accumulated imagery satisfies the artist’s own personal impulse to impose “order” and closure – but only momentarily, until the process is carried on to the next piece. Each drawing is a result of a chain of events, choices, and decisions generated by the initial, specific, finite fragment of data. The process plays with notions of causality, the desire/impulse to find, recognize or impose organization, response to (and interpretations of) vast sources of available data, and the complex interactions of image, language, communication and meaning in the representation of information.
The work of Paul Glabicki continues to be involved with time and sequence, and an obsessive process of evolving images and complex compositions generated by an intimate examination of a finite word or found object.
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