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Artist News

LEHMAN COLLEGE ART GALLERY “Tick Tock: Time in Contemporary Art” Feb 20 – May 5, 2018 includes artwork by Paul Glabicki

 

BROOKLYN RAIL February 08,2018 by Hearne Pardee Susan Wides: this:seasons

link to Brooklyn Rail review

Just as Impressionists brought viewers into contact with the reception of light in the eye, Susan Wides immerses them in the more active process of focus. The apparently stable, seamless visual field is just a convenient fiction: our eyes, in conjunction with other senses, are actually in constant motion…

 

ARTNET NEWS February 05, 2018 This Artist Collected 300 of Trump’s Most Egregious Tweets and Turned Them Into a Party of Pecking Birds

link to artnet news article

The individual “twits” by Deborah G Nehmad are arranged chronologically and grouped together in a form that resembles a migration pattern. Through it, a narrative emerges, painting a picture of the man behind the impetuous language. Adding to the visual metaphor are tweets that are positioned beak-to-beak for when the messages contradict each other…

 

MFAH, Museum of Fine Arts Houston, TX has acquired September 3, 2016_11:02:10 by Susan Wides for their Photography Department. 

LACMA, Los Angeles County Museum of Art, CA has acquired Possible Worlds #9021, 2014 by Moon Beom for their Korean Art Department.  

 

WAYNE STATE UNIVERSITY, Elaine Jacob Gallery, Detroit, Mi   

HUMAN/NATURE selections from the Kim Foster Gallery, curated by Juana Williams

January 19 through March 23, 2018

HUMAN/NATURE features works by the following gallery artists: Moon Beom, Sydney Blum, Margaret Evangeline, Christian Faur, Paul Glabicki, Dan Hernandez, Antonio Petracca, Jim Toia, Susan Chrysler White, and Susan Wides.

Each artist in the exhibition examines the collective, incessant journey toward decoding the details of the relationship between humans and nature, and how humans are organically drawn to consider this connection. Exploring natural elements through the senses is a universal characteristic that embeds individuals into the culture of humanity. As one navigates personal experiences, narratives are created through representations that rely on being aware of the surrounding world, and positioning oneself within it. Because of the unending quest for understanding, many interact with environments through visualization, manipulation, and even attempts to master nature. Through personal interaction, the innate human response to create is realized.

 

WALL STREET INTERNATIONAL January 17, 2018 by Daniel Gauss Trump’s Life without Art

link to WSI review

Deborah G. Nehmad has a show currently at Kim Foster Gallery in which she has collected and graphically represents numerous tweets from President Trump. Each tweet reflects what most of us who love art have aspired to overcome – human life at its most base, arbitrary and unexamined.

The tweets reveal Trump as someone with no capacity or desire for self-examination or self-control. This is a life without art and without the underlying impetus that drives many of us to art – to better understand ourselves and our world to ensure that we can rise above the random and arbitrary; to develop meaning and work toward humane change in ourselves, others and the world. His tweets displayed by Nehmad are works of art about a life devoid of art and what one is left with in its absence…

 

 

 

SUSAN CHRYSLER WHITE 

Installed a permanent suspended 3D installation at the lobby of Art Place / Fort Totten, Washington, D.C. (2017)

 

Christian Faur

CHRISTIAN FAUR 

Participating in  “Hello City!” at the DAEJEON MUSEUM OF ART, South Korea, (June – Oct, 2017)

 

DEBORAH NEHMAD  

The HONOLULU MUSEUM OF ART has acquired her artworks Wasted and Wasted II, May 2017.

Solo exhibition at HONOLULU MUSEUM OF ART “Wasted” (Jan 29 – May 8, 2016)

 

PAUL GLABICKI : link to Interview with Paul Glabicki

Screening at TATE MODERN “Independent Frames- American Experimental Animations 1970s & 1980s” Feb 2017

link to Tate Modern screenings of works by Paul Glabicki

 

SYDNEY BLUM :

link to Canadian TV News: Sydney Blum at Saks 5th Avenue

 

ANTONIO PETRACCA :

New Saks Fifth Avenue Men Store, Brookfield Place

link to Antonio Petracca article in Huffington Post November 2016 

 

KATHLEEN MULCAHY :

2 person exhibit at WESTMORELAND MUSEUM “Opposites Attract: Kathleen Mulcahy and Sylvester Damianos”  (Nov 5, 2016 – Feb 5, 2017)

 

DAN HERNANDEZ :

participating in EVERHART MUSEUM “Wolves, Magic Mirrors & Spinning Wheels: The Anatomy of Fairy Tales”

(July 15 – Dec 31, 2016)

 

WILL KURTZ  :

participating in ART SOUTHAMPTON “Call of the Wild” curator Brooke Shields and David Kratz 2016    

participating in PORTAL ART FAIR at Federal Building (May 2016)

New York Times article featuring Kurtz

participating in “The Art of Now” Curator, Betty Levin HEARST TOWER (Jan – Sept, 2016)

solo exhibit “Extra! Extra! See All About It.” Curator, Vida Sabbaghi PORT AUTHORITY TERMINAL TIMES SQUARE (Dec, 2015 – Jan, 2016)

Link to Good Day NY Fox 5 Will Kurtz

 

JIM TOIA :  

solo exhibit “From Here to Emergency: A Career Overview” NEW JERSEY STATE MUSEUM (Sept – Dec, 2015)

New York Times review link

 

 

DAN HERNANDEZ : Genesis 

Link to Artillery Magazine review Dan Hernandez

Link to ARTE FUSE review

click here for ARTnews review

click here for Spiegel review

click here for GIZMODO review

click here for Kotaku review

click here for Hyperallergic review

 

 

WILL KURTZ :  Pardon the Interruption, Please

link to buzzworthy article Will Kurtz

link to Whitehot Magazine review Will Kurtz

Artnet Interview with Will Kurtz

link to Wall Street International review Will Kurtz

 

DEBORAH G NEHMAD : Wasted

click here for Artefuse review

 

 

RON DESMETT & KATHLEEN MULCAHY

Walking on Delicate Glass

 

CHRISTIAN FAUR : Color Value

click here for Artefuse review

 

DAVID MCQUEEN   : A Once Imagined Ocean…

click here for Artefuse review

 

SYDNEY BLUM  : Fuzzy Geometry

click here for Artefuse review

 

PAUL GLABICKI  : Relativity

click here for artcritical review

 

 

MOON BEOM : Secret Garden

click here for ArtAsiaPacific Magazine review