Biography

Link to Tate Modern screenings of works by Paul Glabicki

Link to Q & A Wall Street International

Grants and Fellowships:

1977:   ANTHONY G. TRISOLINI FELLOWSHIP.  Award for Advanced Graduate Research in Interdisciplinary  Arts;  $5,000; Ohio University.

1977:   FILM PRODUCTION GRANT.  Awarded for production of the film: DIAGRAM FILM;  Sinking Creek Film Festival;  $2,000;  Nashville, Tennessee.

1981:   ARTIST FELLOWSHIP IN MEDIA ARTS.  Awarded for support of the film: FILM- WIPE-FILM;  $1,900; The Pennsylvania Council on the Arts.

1982:  CENTRAL RESEARCH DEVELOPMENT FUND GRANT.  Awarded for support of research in language, visual analogy, drawing, and animated film;  $2,510; University of Pittsburgh.

1983:  MID-ATLANTIC REGION MEDIA ARTS FELLOWSHIP.  Awarded for support of the film: OBJECT CONVERSATION;  $3,000; National Endowment for the Arts, and American Film Institute.

1983:   ARTIST FELLOWSHIP IN MEDIA ARTS.  Awarded for continued work in Drawing and Animated Film;  $4,000; The Pennsylvania Council on the Arts.

1985:   INDIVIDUAL ARTIST GRANT IN MEDIA ARTS: Awarded for work in Film Animation; $18,000; The National Endowment for the Arts.

1986:   MID-ATLANTIC REGION MEDIA ARTS FELLOWSHIP.  Awarded for support of work in progress: UNDER THE SEA;  $7,000; Pennsylvania Council on the Arts, National Endowment for the Arts and The American Film Institute.

1986:   GUGGENHEIM FELLOWSHIP.  Awarded for work in Film Animation, travel and research in Japan;  $21,000; the John Simon Guggenheim Memorial Foundation.

1987:   CREATIVE ADVANCEMENT GRANT.  Awarded for travel and research in Japan; $5,000; Administered by the Howard Heinz Endowment  and  Pittsburgh Foundation

1988:   AMERICAN FILM INSTITUTE INDEPENDENT FILMMAKER GRANT. Awarded for support of the film: UNDER THE SEA;  $17,250; The American Film Institute.

1990:   CENTRAL RESEARCH DEVELOPMENT FUND GRANT.  Awarded in support of work in Computer Composition and Animation;  $12,450; Office of Research, University of Pittsburgh.

1991:    MID-ATLANTIC REGION MEDIA ARTS FELLOWSHIP.  Awarded for continued experimentation in Computer Art and Animation;  $7,000; Pennsylvania Council on the Arts.

1994:   MID-ATLANTIC REGION MEDIA ARTS FELLOWSHIP. Award for continued work in Computer Art and Animation;  $3,000; Pennsylvania Council on the Arts

1995:   ARTIST FELLOWSHIP IN INTERDISCIPLINARY ART.  Awarded for work in Drawing, Painting, Video, and Computer Art; $5,000; Pennsylvania Council on the  Arts.

1997-99: CENTRAL RESEARCH DEVELOPMENT FUND GRANT.  Awarded for work in Computer Art and Animation;  $14,000; Office of Research, University of   Pittsburgh.

Awards and Honors:

1970: MARTIN B. LEISSER AWARD. Carnegie-Mellon University.

1971:  NATIONAL COLLEGIATE DRAWING COMPETITION AWARD. University of Tennessee.

1971:  EMILY PHYLLIS HOWARD ANNUAL PAINTING AND SCULPTURE AWARD. Carnegie Mellon University.

1972:  EMILY PHYLLIS HOWARD ANNUAL PAINTING AND SCULPTURE AWARD. Carnegie Mellon University.

1972:  GRADUATE TEACHING ASSISTANTSHIPS. School of Art, Ohio University.

1977:  PURCHASE AWARD. Associated Artists of Pittsburgh Annual Exhibition; Carnegie Museum of Art.

1977:  JURY AWARD. Ann Arbor Film Festival; Award to film: DREAM 733.

1977:  JURY AWARD. Georgia Museum of Art; Award to film: DREAM 733.

1977:  JURY AWARD. Northern Illinois University; Award to film: DREAM 733.

1978:  JURY AWARD. Ann Arbor Film Festival; Award to film: SCANNING.

1978:  JURY AWARD. Ann Arbor Film Festival; Award to film: SEVENTY-SIX AT HOME.

1978:  FIRST PRIZE IN ANIMATION. Marin County National Film Competition; San Rafael, California; Award to film: DIAGRAM FILM.

1978:  SPECIAL JUROR’S AWARD. Marin County National Film Competition; awarded by Juror Gunvor Nelson to DIAGRAM FILM.

1979: JURY AWARD. ASIFA-EAST Animation Awards; New York, New York; Merit Award for Sound Direction of the film: DIAGRAM FILM.

1979: JURY AWARD. Ann Arbor Film Festival; Award to film: DIAGRAM FILM.

1979: FIRST PRIZE. Big Muddy Film Festival; Southern Illinois University, Carbondale, Illinois; Award to film: DIAGRAM FILM.

1979: JURY AWARD. Kent Film Festival; Kent State University; Award to film: DIAGRAM FILM. 

1979: JURY AWARD. Virginia Commonwealth University, Richmond, Virginia; Award to film: DIAGRAM FILM.

1979:  FIRST PRIZE. Athens International Film Festival; Animation Category; Athens, Ohio; Award to film: DIAGRAM FILM.

1979:  FIRST PRIZE. Baltimore International Film Festival; Experimental Film Category; Award to film: DIAGRAM FILM.

1979:  JURY AWARD. Bellevue International Film Festival; Bellevue, Washington; Award to Film: DIAGRAM FILM.

1979:  JURY AWARD. New York Filmmakers Exposition; Award to film: DIAGRAM FILM.

1979:  JURY AWARD. The Cinematheque; San Francisco Art Institute; Award to film: DIAGRAM FILM.

1980: JURY AWARD. Sinking Creek Film Festival; Nashville, Tennessee; Award to film: FIVE IMPROVISATIONS.

1980: JURY AWARD. Purdue University; Award to film: FIVE IMPROVISATIONS.

1980: JURY AWARD. Kent Film Festival, Kent State University; Award to film: FIVE IMPROVISATIONS.

1980: JURY AWARD. Ann Arbor Film Festival; Award to film: FIVE IMPROVISATIONS.

1980:  JURY AWARD. Terminal Cinema Film Festival; Northern Illinois University; Award to film: FIVE IMPROVISATIONS.

1981:  JURY AWARD. New York Filmmakers Exposition; Award to film: FIVE IMPROVISATIONS.

1983: JUROR’S AWARD. “Art as the Image of America,” Invitational Painting and Drawing Exhibition; Indiana University of Pennsylvania; Juror: Patterson Sims.

1983:  GRAND PRIZE. Thomas Edison Black Maria Film and Video Competition; West Orange , New Jersey; Award to film: FILM-WIPE-FILM.

1983: SILVER HUGO AWARD. Chicago International Film Festival; Animation Category; Award to film: FILM-WIPE-FILM.

1983:  JUROR’S AWARD. 1983 Small Works National, Zaner Gallery, Rochester, New York; Juror: Patterson Sims.

1984:  JURY AWARD. New York Filmmakers Exposition; Award to film: FILM-WIPE-FILM.

1984:  JURY AWARD. Baltimore International Film Festival; Award to Film: FILM-WIPE-FILM.

1984:  JURY AWARD. Ann Arbor Film Festival; Award to film: FILM-WIPE-FILM.

1984:   JURY AWARD. Sinking Creek Film Festival; Nashville, Tennessee; Award to film: FILM-WIPE-FILM.

1984:   JURY AWARD. The Festival of Experimental Film, Experimental Film Coalition & Art Institute Chicago; Award to film: FILM-WIPE-FILM.

1985:  JURY AWARD. The Festival of Experimental Film, Experimental Film Coalition & Art Institute of Chicago; Award to film OBJECT CONVERSATION.

1985:  JURY AWARD. Sinking Creek Film Celebration; Nashville, Tennessee; Award to film: OBJECT CONVERSATION.

1985:  FIRST PRIZE. Best Film of the Festival and Best Art/Experimental Film; Bucks County Film Festival; Doylestown, PA Award to film: OBJECT CONVERSATION.

1985: GRAND PRIZE. Thomas Edison Black Maria Film and Video Festival; West Orange, New Jersey; Award to film: OBJECT CONVERSATION.

1986: JURY AWARD. San Francisco Art Institute Film Festival; Award to film: FILM-WIPE-FILM.

1986: FIRST PRIZE. Best Experimental Film; The 10th Atlanta Film and Video Festival; Atlanta, Georgia; Award film: OBJECT CONVERSATION.

1986: FIRST PRIZE. Athens International Film Festival; Animation Category; Athens, Ohio; Award to film: OBJECT CONVERSATION.

1986:  JURY AWARD. 19th Annual Humboldt Film Festival; Humboldt State Univ, Arcata, California; Award film: OBJECT CONVERSATION.

1987: JURY AWARD. 1987 Cinamina International Film Festival; Portugal;  Award collaborative film: ACADEMY LEADER VARIATIONS.

1988:   JURY AWARD. ASIFA-East Animation Awards, New York; Award shared with 19 others for the film: ACADEMY LEADER VARIATIONS.

1988:  FIRST PRIZE. Blue Ribbon, the 1988 American Film and Video Festival; New York; Award shared: ACADEMY LEADER VARIATIONS.

1989:  OHIO UNIVERSITY ALUMNI MEDAL OF MERIT. Presented by the National Alumni Board of Directors of the Ohio University Alumni Association; Award for Outstanding Achievement in Art, Filmmaking, and Education.

1989:  GRAND PRIZE. Thomas Edison Black Maria Film Festival; West Orange, New  Jersey; Award to film: UNDER THE SEA.

1990:  SPECIAL JURORS’ AWARD. For Technical Excellence in Animation; the 14th Annual Atlanta Film and Video Festival; Atlanta, Georgia; Award to film: UNDER THE SEA.

1990:  BEST OF ANIMATION AWARD. 28th Ann Arbor Film Festival; Award to the film: UNDER THE SEA.

1990:  JURY AWARD. Sinking Creek Film Festival; Nashville, Tennessee; Award to film:  UNDER THE SEA.

1991:   JURY AWARD. New York Filmmakers Exposition; Award to film: UNDER THE SEA.

1993-  RESEARCH FELLOW APPOINTMENT. The Studio for Creative Inquiry; Carnegie Mellon University; Pittsburgh, Pennsylvania.

2000: DIRECTOR’S CHOICE AWARD. Black Maria Film & Video Festival; West Orange, New Jersey; Award to computer animation: RED FENCE

2001: ARTIST OF THE YEAR. Pittsburgh Center for the Arts; Awarded by a panel of regional art leaders and artists; Pittsburgh, Pennsylvania.

 

Solo Exhibitions/Film Screenings:

1974:                  Ohio University.  Seigfred Gallery; Paintings, Drawings, and Film; Athens, Ohio.

1977:                  Vanderbilt University.  Sinking Creek Film Festival; Recent Films and Drawing Studies; Nashville, Tennessee.

1977:                  Pittsburgh Filmmakers Media Arts Center.  Recent Films; Pittsburgh, Pennsylvania.

1977:                  Pittsburgh Filmmakers Gallery.  Photographs, and Drawings for Animated Film; Pittsburgh, Pennsylvania.

1978:                  Vanderbilt University.  Sinking Creek Film Festival; Recent Films, Photographs, and Drawing Studies; Nashville, Tennessee.

1980:                  Ohio University.  Athens International Film Festival; Recent Films; Athens, Ohio.

1981:                  University of Pittsburgh.  UP Gallery; Drawings and Studies for Animated Film; Pittsburgh, Pennsylvania.

1981:                  Carnegie Museum of Art. Section of Film and Video; Films and Process; Pittsburgh,  Pennsylvania.

1982:                  Philadelphia College of Art.  Films and Drawings. Philadelphia, Pennsylvania.

1982:                  Albright College.  Berk’s Filmmakers; Films and Drawings; Reading, Pennsylvania.

1982:                  Ann Arbor Film Festival.  Juror’s Retrospective; Ann Arbor, Michigan.

1983:                  Kent State University.  Films and Drawings; Kent, Ohio.

1984:                  State University of New York at Fredonia.  Films and Drawings; Fredonia, New York.

1984:                  The Mattress Factory.  Films and Drawings; Pittsburgh, Pennsylvania.

1984:                  New Laboratory Theater.  Recent Films; Pittsburgh, Pennsylvania.

1984:                  School of the Art Institute of Chicago.  Films and Drawings; Chicago, Illinois.

1985:                  Carnegie Museum of Art.  Section of Film and Video; Recent Films and Film Studies; Pittsburgh, Pennsylvania

1985:                  The Museum of Modern Art.  Cineprobe Program of Films and Drawings; New York, New York.

1986:                  Virginia Museum of Fine Arts.  Films and Drawings; Richmond, Virginia.

1986:                  West Virginia State College.  Films and Drawings; Institute, West Virginia.

1986:                  University of Arizona.  Department of Drama; Films and Drawings; Tucson, Arizona.

1986:                  Ohio University.  Athens International Film Festival; Films and Drawings; Athens, Ohio.

1986:                  Donnell Library Center.  New York Public Library; Recent Films and Film Studies, New York, New York.

1987:                  Los Angeles Film Forum.  Films and Drawings; Los Angeles, California.

1987:                  California Institute of the Arts.  Films and Drawings; Valencia, California.

1987:                  Osaka Designer’s College.  Films and Drawings; Osaka, Japan.

1987:                  Image Forum, Tokyo.  Films and Drawings; Tokyo, Japan.

1987:                  Edinboro University.  Films and Drawings; Edinboro, Pennsylvania.

1988:                  Currier Gallery of Art.  Films, Drawings, Works-in-Progress; Manchester, New Hampshire.

1989:                  Tokyo Designer’s College.  Films and Drawings; Tokyo, Japan.

1989:                  Image Forum, Tokyo.  New Works in Film and Drawing; Tokyo, Japan.

1989:                  Osaka Designer’s College.  New Works in Film and Drawing; Osaka, Japan.

1989:                  International House of Japan.  Films and Drawings; Tokyo, Japan.

1989:                  Carnegie Museum of Art.  Section of Film and Video; New Work in Film; Pittsburgh, Pennsylvania.

1990:                  Carnegie Mellon Art Gallery.  Films, Paintings, and Drawings; Pittsburgh, Pennsylvania.

1990:                  1414 Monterey Gallery/The Mattress Factory.  “This is Just That,” an Installation Piece; Pittsburgh, Pennsylvania.

1991:                  Carnegie Museum of Art.  Section of Film and Video; FilmFront Series: Film Retrospective; Pittsburgh, Pennsylvania.

1991:                  Forum Gallery/Carnegie Museum of Art.  Work in Computer Animation, Drawing, and Installation; Pittsburgh, Pennsylvania.

1991:                  Arizona Center for Media Arts.  The Screening Room; New Films; Tucson, Arizona.

1992:                  Itoki Gallery.  Visible Art Today series: Glabicki: Works in Video and Art; Hiroshima,  Japan.

1993:                  Cinematograph-Filmverleih.  Films and Computer Animation; Innsbruck, Austria.

1993:                  Moviemento.  Films and Computer Animation; Linz, Austria.

1993:                  Kino im Augarten.  Films and Computer Animation; Graz, Austria.

1993:                  Academy of Applied Arts of Vienna.  Films and Computer Animation, Video Installation; Vienna , Austria.

1993:                  Filmcasino Theater.  Film  Retrospective; Vienna, Austria.

1993:                  Rochester Institute of Technology.  Films, Drawings, Computer Animation; Rochester, New York.

1995:                  Center For Contemporary Arts. Installation of Computer Animation,  3-D Projection of Computer-Generated Memory Spaces; Cincinnati.

1997:                  Film Gallery: Carnegie Museum of Art.  “Artist’s Films from the 1960s and 1970s: Films of Paul Glabicki;” Carnegie Museum of Art, PA.

2001:                  Pittsburgh Center for the Arts.  “Artist of the Year – 2001,”  installation and premiere of computer  animation video piece FULL MOON, with a second collaborative sound piece “Optical Poem: Sequentia Absentia,”  with sound artist Paul Miller  (aka DJ SPOOKY).

2002:                  Hiroshima 2002.  International Animation Festival of Japan; Aster Plaza Cultural Arts Center; installation FULL MOON and RED FENCE; 

2009:                  ACCOUNTING for … (the ledger series) Kim Foster Gallery, NYC

2012:                  ORDER series, Kim Foster Gallery, NYC

2014:                  RELATIVITY series, Kim Foster Gallery, NYC

2016:                  THE LIGHT drawing series, Kim Foster Gallery, NYC

2019:                  LAND AND SCENE drawing series, Kim Foster Gallery, NYC

Group Exhibition/Film Screenings:

1972,’75            Associated Artists Annual Juried Exhibitions.  Carnegie Museum of Art, Pittsburgh, ‘76,’77: Pennsylvania.

1974:                  Paperworks; Drawing Exhibition; Pittsburgh Center for the Arts.

1977:                  Underground Cinema-12 Series; Touring Program of Independent Film.

1977:                  Contemporary Media Arts Center. Dayton, Ohio.

1977:                  Theater Vanguard.  Los Angeles, California.

1977:                  Best of the Ann Arbor Film Festival National Touring Program.

1977:                  Georgia Museum of Art.  University of Georgia.

1977:                  The Cinematheque.  San Francisco Art Institute.

1977:                  Poncho Theater.  Seattle Association of Media Artists, And/Or Gallery; Seattle,WA

1977:                  Walker Art Center. Minneapolis, Minnesota.

1977:                  Athens International Film Festival National Touring Program.

1977:                  Film Forum.  Rapid Eye Movements Program; New York, New York.

1977:                  Antioch College.  Yellow Springs, Ohio.

1977:                  Kent State University.  Kent, Ohio.

1977:                  Fantamation.  Award-wining Animation; Expanded Cinema Group, Univ. of Illinois.

1978:                  Contemporary Media Arts Center.  Dayton, Ohio.

1978:                  The Film Center.  School of the Art Institute of Chicago.

1978:                  Best of the Ann Arbor Film Festival National Touring Program.

1978:                  Washington Film Festival.  Kennedy Center for the Performing Arts Washington, D.C.

1978:                  Independent Filmmakers Exposition.  Metropolitan Museum of Art, New York.

1978:                  Independent Animators and Animation.  The Drawing Center; New York, New York.

1979:                  New Independent Cinema.  Hirshorn Museum; Washington D.C.

1979:                  Suspended Animation Exhibition.  Exhibition of Drawings for Film; And/Or Gallery, Seattle, Washington.

1979:                  Best of the Ann Arbor Film Festival National Touring Program.

1979:                  Pittsburgh Filmmakers: European Touring Program.

1979:                  Pennsylvania Film Exhibition.  William Penn Museum; Harrisburg, Pennsylvania.

1979:                  Center Screen Animation Series.  Carpenter Center for the Arts; Harvard University.

1979:                  The Cinematheque.  San Francisco Art Institute.

1979:                  New York Independent Filmmakers Exposition National Tour.

1979:                  The Expanded Cinema Group. Champaign, Illinois.

1979:                  Great Lakes Invitational Film Festival.  Milwaukee, Wisconsin.

1979:                  Venice Biennale.  New American Cinema;  Serious Business Company, Curator: Freude Bartlett; Venice, Italy.

1979:                  Rialto Theater.  Berkley, California.

1979:                  Oakland Museum.  Oakland, California.

1979:                  Smithsonian Institute.  New American Cinema; Washington D.C.

1979:                  Chicago Filmmakers.  Chicago, Illinois.

1979:                  Portland Art Museum.  Portland, Oregon.

1980:                  Film Forum.  New American Animation; New York, New York.

1980:                  Synthetic Movements: New Directions in American Animation.  Touring Program;  American Federation of the Arts.

1980:                  Lightning Ridge Film Society.  Adamant, Vermont.

1980:                  L.A. Film Oasis.  Los Angeles, California.

1980:                  Madison Art Center.  Madison, Wisconsin.

1981:                  Absolute Film.  Exhibition on Visual Music and Abstract Film.  University of California at Santa Cruz.

1981:                  Mo-Ming Gallery. So-Take-It-To-The-Presses Exhibition; Chicago, Illinois.

1982:                  Carpenter Center For the Arts: New Animation.  Harvard University.

1982:                  Nickelodeon Theater.  Lost Art Cinema Group; Columbia, South Carolina\.

1982:                  Pittsburgh Filmmakers National Touring Program. Pittsburgh Filmmakers Media Arts Center.

1982:                  New American Animation: Movie Club.  International Film Programs; Lucca, Italy.

1983:                  Hirshorn Museum.  New American Independent Cinema; Washington D.C.

1983:                  University Museum.  Art As the Image of America exhibition, Drawing and Painting Exhibition; Indiana University of Pennsylvania.

1983:                  Small Works National.  Zaner Gallery; Rochester, New York.

1983:                  Northwest Film Study Center.  Portland, Oregon.

1983:                  Cambridge Invitational Animation Festival.  American Animation Program; Cambridge, England.

1984:                  Best of the Ann Arbor Film Festival National Touring Program.

1984:                  New York Independent Filmmakers Exposition National Touring Program.

1984:                  The San Francisco Cinematheque.  San Francisco Art Institute.

1984:                  Image Forum. Tokyo, Japan.

1985:                  Santa Fe Film Exposition Invitational.  Center for Contemporary Arts; Santa Fe, New  Mexico.

1985:                  Neighborhood Film Project.  International House; Philadelphia, Pennsylvania.

1985:                  Hirshorn Museum.  New American Independent Cinema; Washington D.C.

1985:                  Masterpiece Film Series.  MetroArts Program at the William Penn Museum;  Harrisburg, Pennsylvania.

1985:                  Hiroshima ‘85: The International Animation Festival of Japan; Hiroshima, Japan.

1985:                  Thomas Edison Black Maria Film and Video Festival National Touring Program.

1986:                  The Stuttgart Animation Festival.  New American Animation; Stuttgart, Germany.

1986:                  Thomas Edison Black Maria Film and Video Festival National Touring Program.

1986:                  Stanford University.   “Pixels and Predicates” curated and presented by Larry Cuba, Ventura Hall, Sandford, California.

1987:                  Whitney Biennial.  The Whitney Museum of American Art; New York, New York.

1987:                   Santa Fe Film Exposition.  Center for Contemporary Arts; Santa Fe, New Mexico.

1987:                  Whitney Biennial Film and Video National Touring Program.

1987:                  Hirshorn Museum.  New American Cinema; Washington D.C.

1987:                  The American Film Institute.  Los Angeles, California.

1987:                  The Seattle International Film Festival.  Seattle, Washington.

1987:                  Pacific Film Archive.  Recent American Animation; University Art Museum, Berkeley,  California.

1988:                  The American Museum of the Moving Image.  American Independent Animated Film:  A Retrospective; Astoria, New York.

1988:                  Hans Richter 100th Anniversary Tribute.  Curated by Cecile Starr; The Goethe House, New York

1988-89:           Dartmouth College.  Programs: Hans Richter and Beyond, and American Independents: A Change of Perception; Hanover, New Hampshire.

1989:                  Kansas City Contemporary Arts Center. New American Cinema; Kansas City, Missouri.

1989:                  Museum of Art: Oviedo.  New Animation; Oviedo, Spain.

1989:                  World Animation Festival in Jean Jean.  Naha City, Okinawa, Japan.

1989:                  Studio 200.  Film Retrospective; Tokyo, Japan.

1989:                  The 3rd Itabashi International Animation Festival.  Itabashi, Japan.

1989:                  27th New York Film Festival.  Premiere of the film UNDER THE SEA ; Lincoln Center, New York.

1990:                  Bombay International Film Festival.  Bombay, India.

1990:                   International Animated Film Festival of Stuttgart. Stuttgart, Germany.

1990:                  Thomas Edison Black Maria Film and Video Festival National Touring Program.

1990:                  Deson/Saunders Gallery.  Pittsburgh Today: Painting and Drawing; Curated by Elaine King; Chicago, Illinois.

1990:                  Santa Fe Film Exposition.  Contemporary Arts Center; Santa Fe, New Mexico.

1990:                  New York University. Classics of American Film Program; ASIFA-East and the Tisch School of the Arts.

1990:                  Hiroshima ‘90: The International Animation Festival of Japan.  Hiroshima, Japan.

1990:                  Deson/Saunders Gallery.  Eclipse of Meaning: Paintings and Drawings by Paul Glabicki, Charles B. Luce, and David Russick; Chicago Illinois.

1990:                  San Francisco Cinematheque. Ink, Pixel, Xerox, and Clay: New Animated Films; San Francisco, California.

1990:                  24th Annual New York Film Exposition of Short Film and Video.

1991:                  Society of Animation Studies.  American Animated Films; George Eastman House, and the Rochester  Institute of Technology.

1992:                  Penelic-Bowman-Megan Art Gallery.  Electronic Expressions, Invitational Exhibition of Computer Art; Allegheny College, Meadville, PA.

1993:                  Austria Filmmakers Cooperative.  Abstract +/- Figurative Films; Austria Filmmakers  Cooperative and ASIFA Austria; Vienna, Austria.

1993:                  Brooklyn College.  New Computer Art; Curated by Rene LeWinter; Brooklyn, New York.

1994:                  Zagreb ‘94:11th World Festival of Animated Films.  Festival Anniversary Invitational Program; Zagreb, Croatia.

1994:                  Japan Industrial College.  Group Animation Show ; curated by Sayoko Kinoshita; Tokyo, Japan.

1995:                  Susquehanna Art Museum.  Emerging Images: Art by Computer; Harrisburg, Pennsylvania.

1996:                  Hiroshima ‘96: The International Festival of Animated Film of Japan.  Fine Art Animation Program; Hiroshima, Japan.

1996:                  Pittsburgh Biennial.  Pittsburgh Center for the Arts; Pittsburgh, Pennsylvania.

1997:                  Mattress Factory.  “Process: Documentation and Fragments from the Mattress Factory Archives,”  1414 Monteray Galleries; Pittsburgh, PA.

1997:                  Mattress Factory.  20th Anniversary Art Exhibition and Auction.  Mattress Factory, Pittsburgh, Pennsylvania, and Sotheby’s, New York.

1997:                  Musashino University of Art.  Tokyo, Japan.

1998:                  University of Rome. “Metamorfosi: The Films of Paul Glabicki, Pat O’neill, and Jordan Belson;”  Rome, Italy.

1998:                  Mostra Internazionale del Nuovo Cinema. “Animania: A  Retrospective of American Experimental Cinema;”  Pesaro, Italy.

1998:                  Holland Animation Film Festival.  “Animation Survey: USA;”  curated by George  Griffin; Utrecht, Holland.

1998:                  Kyoto College of Art.  “Experimental Animation;” curated by Sayoko Kinoshita;  Kyoto, Japan.

1999:                  Fundacio Antoni Tapies.  “Cine Calculado: Revision de Los Origenes y Pioneros de La Animacion por Ordenador;” curated by Eugeni Bonet; Barcelona, Spain; also traveled to Filmoteca de Zaragoza, Diputacion Provincial de Granada, and Museo Nacional Centro de Arte Renia Sofia, Madrid.

1999:                  Central Arts.  “MA(R)KING;” a survey of artist mark making in 1999; curated by Elaine A. King; Tucson, Arizona.

1999-                  Global Multimedia Interface, Leicester  Square, London.  Four-story tall outdoor/

2000:                  public LED display of computer animation works RED FENCE (1999) , and DARK ROOM/SIMPLE ROOF (1998); a project of FACT: the Foundation for Art and Creative Technology, Liverpool, United Kingdom.

2000:                  Art in Motion; The International Festival of Time-Based Media; The USC School of  Fine Arts; University of Southern California.

2000:                  Black Maria Film and Video Festival 2000.  National Touring Program.

2000:                  KINETICA 2: The Oskar Fischinger Centennial Celebration.  Presented by the Iota Center, and the Motion Picture Academy of Arts and Sciences: the Museum of Modern Art, New York; Los Angeles County Museum of Art, Los Angeles: National Gallery of Art,  Washington,  DC;  Pacific Film Archive, Berkekey, California.

2000:                 Pittsburgh Biennial; Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania.

2000:                 Regina Gouger Miller Gallery. “Fusion: Artists in a Research Setting,” Carnegie Mellon University, Pittsburgh, Pennsylvania.

2001:                  Pittsburgh Filmmakers Traveling Show.  Revival  screening of the1982 program curated by Bruce Posner; Film Kitchen, Melwood Screening Room, Pittsburgh, Pa.

2001:                  Experience Music Project.  “The Iota Collection: Experimental Animation 1970-1989;” curator: Larry Cuba, Iota Center, Los Angeles; Seattle.

2001:                  Oberhausen International Film Festival.  Performance of “The Prolonged Present,” by sound artist Paul Miller, featuring his sound remixes, and animation sequences by  Paul Glabicki;  Oberhausen,  May 7, 2001, Germany.

2001:                  Northwestern University.  “Stereo Images,” and screening/installation of RED FENCE; in conjunction with the symposium “Immersive Environments,”  curator: Annette Barbier; Chicago, Illinois.

2001-                  KINETICA 3: BARDO and the Contemporary Program.  Presented by the Iota Center,

2004:                  Los Angeles; International Tour:  University of Southern California; Pacific Film Archive, Berkeley; Museum of Modern Art, New York; Cinematheque Ontario, Toronto;  Harvard Film Archive, Cambridge; High Museum of Art, Atlanta; Anthology Film Archives, New York; Northwest Film Forum, Seattle; Centre Pompidou, Paris; and the National Gallery of Art, Washington, D.C.; Norwegian Film Festival, Grimstad Kulturhus; Paradiso, Amsterdam; Lux/The Other Cinema, London; Cambridge Film Festival, Cambridge, UK; Duke of York Picturehouse, Brighton, UK.

2001:                 Artists Image Resource, Inc., Foreland Street Gallery.  “Photographs by Artists,” an invitational exhibition curated by Robert Raczka; Pittsburgh, Pennsylvania.

2001:                 Schneider Museum of Art.  “Contemporary Animation,” an exhibition of animation  and animation artwork; curator: Miles Inada; Southern Oregon University

2001:                 San Francisco Art Institute.  “Canyon Cinema: 35th Anniversary,” a screening of works from the Canyon Cinema collection; curator: Dominic Angerame, Executive Director

2001:                 Pittsburgh Filmmakers Media Arts Center.  “Media /Tonic: a 30th Anniversary Celebration of Pittsburgh Filmmakers, Inc.; “ Pittsburgh, PA.

2001:                 SOMARTS Cultural Center.  “Saint Rubidium’s Temple,” multi-media installation; San Francisco, California.

2002:                 Pittsburgh Dance Alloy.  “New Directions: Dance + Video,” Dance Alloy’s Neighborhood Dance Center; Pittsburgh, Pennsylvania.

2002:                 MAK Center for Art and Culture.  “Markings,” a program of experimental animation; Schindler House, West Hollywood, California.

2002:                Jeonju International Film Festival. “American Experimental Animation,” curated by Seung-il Chon and Dong-Jin Seo, in conjunction with Canyon Cinema; South Korea.

2002:                Hiroshima 2000.  “Japan Seen Through the Eyes of Non-Japanese Artists,” International Animation Festival of Japan; Hiroshima, Japan.

2002:                CINEMATH 2002.  20th Mathematical Sciences Research Institute (MSRI) Mathematics Film Festival; co-curated by Robert Osserman and Michael Singer;  Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, California.

2002:              Gwangju International Film Festival.  “International Experimental Film and Video,” an invitational exhibition curated by Kim Ll-tae; Gwangju, South Korea.

2002-              KINETICA 4: Abstraction, Animation, and Music.  Presented by the Iota Center, Los Angeles; curated by William Moritz; 2002-03 International Tour:  Pacific Film Archive, Berkeley; Anthology Film Archives, New York; Los Angeles County Museum of Art; Harvard Film Archive, Cambridge; Cinematheque Ontario, Toronto; Northwest Film Forum, Seattle; Videoex Festival, Zurich, Switzerland; 5^th Brisbane International Film Festival, Brisbane Australia; International House, Philadelphia.

2004:              ANIMADRID 2004.  V Festival Internacional de Imagen Anima, Pozuelo de Alarcon, Madrid, Spain.

2004:              Museum of Modern and Contemporary Art, Strasbourg. “Experimental Animated Cinema,” curated by Olivier Cotte; place Hans Jean Arp, Strasbourg, France.

2004:              AUDIO VISUAL ENCOUNTERS.  “Visions of Japan: Animation, Fiction, and Experimental,” the International Festival of New Media; curated by Julien Dusouchet, Lille, France.

2005:              Anthology Film Archives.  “Paul Sharits and Paul Glabicki,” a program of the “Crossroads” series, curated by Robert Haller; New York.

2005:              DAUMENKINO (The Flip Book Show).  A international exhibition of flip books created by170 artists and filmmakers (1900 – 2005), Kunsthalle Dusseldorf, Dusseldorf, Germany.

2006:              Boston Cyberarts Festival: Visual Music Marathon.  Curated by Bruce Wands, School of Visual Arts and New York Digital Salon, and Larry Cuba, IotaCenter; Northeastern University, Boston.

2007:              Carnegie Museum of Art. “The Popular Salon of the People,” curated by Vicky Clark; Pittsburgh, PA

2009:              “DrawingPainting” Kim Foster Gallery, NY

2010:              “Drawings Continued” Kim Foster Gallery, NY

2011:              Islip Art Museum. “Secret Message,” curated by Karen Shaw, work provided courtesy of Kim Foster Gallery; Islip, Long Island, New York.

2012:              Clarion University Art Gallery. “What’s Up Pittsburgh?,” Gallery Director: Vicky A. Clark; Clarion, Pennsylvania.

2012:              Kim Foster Gallery. “Selections: Summer 2012,” a group exhibition of gallery artists; New York, New York.

2013:              National Gallery of Art. “Cine-Concert: Abstract Animation Since 1970;” curated by Sharon Louden; Washington, DC.

2013:              Kim Foster Gallery. “Particle Physical,” a group show; curator: Antonio Petracca.

2013-14:        ZKM/Museum of Contemporary Art. “SCHRIFTFILME: Script as Image in Movement;” curators: Dr. Bernd Scheffer, Dr. Christine Stenzer, Dr. Soenke Zehle, and Peter Weibel; a collaborate project and exhibition of ZKM/Center for Art and Media Karlsruhe, Germany, FACT Foundation for Art and Creative Technology Liverpool, UK, and Goethe Institutes worldwide.

2014:              National Gallery of Art Vilnius. “TYPEMOTION: Type as Image in Motion;” Vilnius, Lithuania.

2014-15:        FACT/Foundation for Art and Creative Technology. “TYPEMOTION;” Liverpool, UK.

2014:              Kim Foster Gallery. “Sequential Abstraction;” New York, New York.

2014:              Art Miami: CONTEXT. Participating Gallery: Kim Foster Gallery (New York), Miami, Florida.

2015:              National Taiwan Museum of Fine Arts. “TYPEMOTION: Type as Image in Motion;” Gallery 103-107, Gallery Street, Taiwan.

2015:              The Great Wall of Oakland. “WRIT LARGE: A Festival of Text;” curators: Timothy Furstnau, Liat Berdugo, and Rose Linke; artists included Paul Glabicki, Marcel Duchamp, Eduardo Kac, Claire Walka, John Fekner, W. Mark Sutherland, bpNichol, Oliver Harrison, Pavel Pavlov, and Augusto DeCampos; Broadway & W. Grand Avenue, Oakland, California, December 5, 2015.

2016:              WRIT LARGE: Highlights of the 2015 Programs of the Great Wall of Oakland; curated by Timothy Furstnau; University California Santa Cruz.

2017:               Tate Modern Films, “Independent Frames: American Experimental Animations 1970s + 1980s, UK

2018                Human/Nature, Wayne State University, Elaine Jacob Gallery, Detroit, MI 

2018:               Tick/Tock: Time in Contemporary Art, Lehman College Art Gallery, Bronx, NY 

 

Selected Publications:

1978:  FRAMES: STATEMENTS AND DRAWINGS BY AMERICAN FILM ANIMATORS.  “Diagram Film” images and text by Paul Glabicki; Published and Edited by George Griffin; 28 East 4th Street, New York, New York.

1981:  ANIMATION FLIP BOOK COLLECTION.  “Wipes” book and text; One of a collection  of six flip books published by George Griffin, Metropolis Graphics; 28 East 4th Street; New York, New York.

1988: EXPERIMENTAL ANIMATION: ORIGINS OF A NEW ART.  A Book by Robert Russett and Cecile Starr.  Revised Edition; published by Da Capo Press, Inc., 233 Spring Street, New York, New York, 1988; Glabicki: pages 24,31.

1989: THE HISTORY OF ANIMATION.  A  Book by Charles Solomon.  First Edition; published by Alfred A. Knopf, Inc., New York, New York,1989; Glabicki: Chapter:  “The Captains and the Kings Depart, 1960-1989,” pp.259-300.

1992: CARTOONS: LE CINEMA D’ANIMATION 1892-1992.  A Book by Giannalberto Bendazzi.  French Edition; published by Editions Liana Levi, 31 rue de L’Abbe  Gregorie 75006, Paris, 1992.  Glabicki: “Visionnaries et Avant-gardistes aux  Etats-Unis,” pages 332-340.

1994: THE HISTORY OF ANIMATION.  A Book by Charles Solomon.  Second, revised/updated edition; published by Wings Books, Random House Value Publishing,  Avenel, New Jersey by arrangement with Knopf, Inc., 1994; Glabicki: Chapter: “The Captain and the Kings Depart, 1960-1994,” pp. 267-330.

1994: CARTOONS: ONE HUNDRED YEARS OF CINEMA ANIMATION.  A Book by  Giannalberto Bendazzi.  New/revised English edition; published by Indiana University Press and John Libbey & Company London, UK, 1994;  Glabicki: Chapter 17, ‘The United States of America; Visionaries and Avant-garde Artists,” pp. 231-260.

1998: ART IN MOTION: ANIMATION AESTHETICS.  A Book by  Maureen Furniss.  Published by John Libbey & Company Pty Ltd, Sidney, Australia, 1998;  Glabicki: Chapter 3: “Alternatives in Animation Production, pp. 29-60; and Chapter  5: “General Concepts: Sound and Structural Design,” pp. 85-108.

2002: IL ETAIT UNE FOIS LE DESSIN ANIME.  A book by Olivier Cotte; published by Dreamland Press Editeur; French  language edition, Paris, France, 2002; Glabicki: Chapter 3:  “Le Cinema d’Animationaux Etats-Unis: Experimentation Independante et Individualites,” pp. 45-144.

2003: ANIMATION IN THE HOME DIGITAL STUDIO: CREATION TO DISTRIBUTION.  A book by Steven Subotnick; published by Focal Press International; Glabicki: Chapter 2: “A Selection of Animators,” pp. 13-32.

2003: ANIMATION UNLIMITED: INNOVATIVE SHORT FILMS SINCE 1940.  A book by Liz Faber and Helen Walters; with companion DVD, published by Laurence King publishing, London, United Kingdom; Glabicki: “Introduction,” pp. 6-9, and Chapter 1: “Form,” pp. 10-47.

2005: CROSSROADS: AVANT-GARDE FILM IN PITTSBURGH IN THE 1970s.  A book by Robert Haller; published by the Anthology Film Archives, New York: Glabicki: Chapter 27, and pp. 52 – 80.

2009: HYPERANIMATION: DIGITAL IMAGES AND VIRTUAL WORLDS.  A book by Robert Russett; published by John Libbey Publishing, UK, and Indiana University Press.

2009: “Best In Show: Paul Glabicki” review by Robert Schuster for Village Voice, April 8

2009: ‘Drawing Life: Paul Glabicki’ article by Cindy Gill, Pitt Magazine, September

2010: CHELSEA CLINTON NEWS. ArtWeek: “Marking Time,” a review of the exhibition “Drawings Continued” at Kim Foster Gallery, written by Joe Bendik, New York, February 25, 2010.

2014:  On the cover “GALLERY GUIDE” New York/Northeast, January 2014 issue, published by Louis Blouin Media

2014:  NEW YORK ART EXAMINER. “Relativity Drawings by Paul Glabicki at Kim Foster Gallery,” written by Daniel Gauss; published online at www.examiner.com, January 23, 2014.

2014: ARTCRITICAL. “Hyper-Saturation of Sign and Signifier: Paul Glabicki’s Relativity,” written by David Brody; published online at www.artcritical.com, January 30, 2014.

2014:  FIBONACCISUSAN: Mathematical Art. “Chelsea Galleries – February; Paul Glabicki at Kim Foster Gallery,” written by Susan Happers; published online at http://fibonaccisusan.com, February 8, 2014.

2015:  ARTE FUSE. “The Top Ten Art Gallery Shows of 2014,” written by Daniel Gauss; published online at http://artfuse.com/author/daniel-gauss, January 12, 2015.

2017:  WALL STREET INTERNATIONAL “Topography : Paul Glabicki” written by Daniel Gauss Mar 9